"I do not like Borges. No clashes with stone.
The softened." [1]
The softened." [1]
"JL Borges, author known for his over-culture, has failed at least two of his books, in which only the titles were beautiful: first his Universal History of Infamy , since the difference was not elemental sorcerers established between the trap and betrayal (the becoming-animal and there appear necessarily on the side of treason). A second time in his Fantastic Manual of Zoology, in which no only shows a heterogeneous and dull image of the myth, but eliminates all the problems of herd and, in the case of man, animal evolution question: "Deliberately, we exclude this manual legends about the transformations of humans, liboson , man-wolf, etc.." Borges only interested in the characters, even the most fantastic, while sorcerers know that bands are werewolves, vampires too, and that these bands are transformed into each other. "[2]
" It is time that Borges (and poignantly beautiful) writes, after having refuted the time: "And yet, and yet ... Denying temporal succession, denying the self, denying the astronomical universe, are desperate apparent and secret consolations ... Time is the substance I am made. Time is a river which sweeps me along, but I am the river, is a tiger which destroys me, but I am the tiger; is a fire that consumes me, but I am the fire. The world, unfortunately, is real, and I, unfortunately, I'm real. "
In this final confession is the Borges who want to recover and that really is about to die: the poet who once sang humble things and fleeting, but merely human: a Twilight of Buenos Aires, a children playground, a suburban street. This is (I dare to prophesy) the Borges who remain. The Borges that after their frivolous journey through philosophy and theology in which no think back to this world less bright, but who believes the world we are born, suffer, love and die. Not that anyone in city X Red Scharlach a symbolic geometric committed their crimes, but Buenos Aires is real and concrete, dirty, turbulent, hateful and dear to Borges and I live and suffer. "[3]
NOTES
[1] Canetti, Elias. "Notes. 1973-1984. Genoveva Dieterich Translation. Barcelona, \u200b\u200bGalaxia Gutenberg. Ballantine Books, 2000. P. 128.
[2] Deleuze, Gilles. Guattari, Felix. "1730. Devenir-intense, becoming-animal, becoming-imperceptible ... "In:" Mil Plateaus. Capitalism and schizophrenia. "Translation José Pérez Vázquez Umbellina collaboration with Larraceleta. Valencia, Pre-Textos, 1997. P. 247.
[3] SABATO, Ernesto." On the two Borges ". In:" Three approaches to the literature of our time. "Santiago de Chile, 1968. pp. 61-62.
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