ARMIES, WAR AND WAR ARCHAEOLOGY
Wednesday, November 10, 2010
How Do You Take Out Stud Earrings
Laurie Rush is a civilian employee of the Department of Defense was responsible for major public awareness campaign on the heritage of the conflict zones of Iraq and Afghanistan, for the soldiers and political leaders. Among other measures (such as the creation of a sort of theme park heritage character to train soldiers, Fort Drum , or distribution between the military mapping of archaeological charts area) highlights the issue, printed in 40,000 copies of a deck of poker with images of monuments and sites in areas with slogans such as "Lots of ruins, not pass through" the 5 of Clubs, "The way the Iraqi heritage part of your heritage, "" Do not do graffiti "or" Buy antiques finances the insurgency. " Campaign that has earned a scholarship from the American Academy in Rome of 2010-2011 for a program that will seek to raise awareness in developing countries through education and support organizations, such as the Defense College of NATO.
Without wanting to take any importance to these measures or to any achievements, and, without prejudice to the substantial destruction and looting carried out during the second Gulf War, it is surprising how homo homini lupus parentheses can do to avoid destroying the material evidence of the same man as kills himself.
In the book's introduction
From Lawrence of Arabia to the Monuments Men Foundation for the Preservation of Art participating students in this volume, have been involved in the conflict zones in issues involving fighting, and unlikely partnerships professional military. The motives and methods have changed drastically in recent years, but the main theme of this volume is management. In each case, the authors have found a situation in which their experience enabled them to help save archaeological, historical buildings and places of worship - or has documented permitdo good. Based on the significant contributions of seven armed forces, among others, this book is to apply the obligation to protect cultural heritage under international conventions, providing a series of case studies of current military practice, and describe efforts to improve current management heritage in conflict areas. In general, offers examples, anecdotes and lessons learned from experience that can be used for integration in the planning of archaeological management worldwide. Contents
- 1 Archaeology and the Military: an Introduction
- 2 The Obligations Contained in International Treaties of Armed Forces to Protect Cultural Heritage in Times of Armed Conflict Rescuing
- 3 Europe's Cultural Heritage: The Role of the Allied Monuments Officers in World War II
- 4 The UK's Training and Awareness Programme
- 5 US Army Civil Affairs: Protecting Cultural Property, Past and Future
- 6 Cultural Property Protection in the Event of Armed Conflict: Deploying Military Experts or Can White Men Sing the Blues?
- 7 Good Training and Good Practice: Protection of the Cultural Heritage on the UK Defence Training Estate
- 8 In-Theatre Soldier Training through Cultural Heritage Playing Cards: a US Department of Defense Example
- 9 Dealing the Heritage Hand: Establishing a United States Department of Defense Cultural Property Protection Program for Global Operations
- 10 Teaching Cultural Property Protection in the Middle East: the Central Command Historical Cultural Advisory Group and International Efforts
- 11 Cultural Resources Data for Heritage Protection in Contingency Operations
- 12 Time not on my side: Cultural Resource Management in Kirkuk, Iraq
- 13 US Military Support of Cultural Heritage Awareness and Preservation in Post-Conflict Iraq
- 14 Operation Heritage
- 15 Cultural Property Protection in the Event of Armed Conflict - Austrian Experiences
- 16 Role of the Swiss Armed Forces In The Protection of Cultural Property
- 17 Preserving Global Heritage from Space in Times of War
- 18 Appendices: 1954 Hague Convention and Its Protocols Two
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